Өвөр Монгол ижилсэл ба орчин үеийн бүжгийн хөгжим

Inner Mongolian Identity and Modern dance Music

Abstract

DOI: 10.22353/ms20234738

https://doi.org/10.22353/ms20234738

Since the establishment of the Inner Mongolia Autonomous Region of the People’s Republic of China in 1947, there have been many changes in the social and cultural life of Inner Mongolia. Among them, “Ulaan Tchihir” and art groups for cultural and artistic activities were established in cities and rural areas. Since then, on the one hand, Mongolian ethnic identity based on traditional culture, on the other hand, civic identity reflecting the influence of China’s policy and culture, and a distinctive culture of Inner Mongolia, which is different from other Mongolian ethnic groups, have been formed. As a result, it was reflected in culture and art works and attracted the attention of domestic and foreign audiences. An example of this can be considered the performance of the song and dance theater of Hoh city, including dance music. In this study, the theater’s “Ovgod” dance performance was analyzed, and the features of Inner Mongolia reflected in the dance and musical elements of the performance were analyzed. In doing so, in addition to textual analysis of the works, interviews were conducted with the artists and analyzed in comparison with previous research. In this study, the formation of “Inner Mongolian” cultural identity, which is caused by the history, society and culture of Inner Mongolia, was considered.