Mongolian Studies

Монгол Улсын хөдөлмөрийн баатар, гавьяат багш, хүмүүнлэгийн ухааны доктор, профессор Оросуд овогт Түмэнбаярын Дашцэдэний мэндэлсний 100 жилийн ойд зориулав

Дашцэдэн Түмэнбаяр — Mon, 19 May 2025 00:00:00 +0800

Монгол хэлний халх аялгууны үгийн өргөлтийг ERPS-ээр туршин судлах нь

Агь-Юмчин Э. — Mon, 19 May 2025 00:00:00 +0800

In this research paper, by using ERP equipment, a database was built at the level of 2 and 3 syllable single words, and the measurement of intensity (dB) and pitch (Hz), which are the phonological characteristics of the Khalkh vocalization of the Mongolian language, was inverted into the booked exact time of the response of the brain of the experimenter. Record and study the data in detail. As a result of the experiment, there was a difference in the brain response of independence single words and tenses inversion words, which means that the brain of Mongolians can sense the stress of words in the Khalkh vocalization of the Mongolian language. From the three ERP future past present 3 tenses experiment, 200–620 ms, the brain ERP components P200, N300, and MMN are involved in the response to word stress. Also, the experiment concludes that the changes in brain response to intensity, which is the state of phonetic characteristics of the Khalkh dialect of the Mongolian language, impacted.
Key words: WORD STRESS, ERP, EEG, P200, N300, MMN

Монгол брахми бичиг судлал

Адангаа Ч., Даваасүрэн Б. — Mon, 19 May 2025 00:00:00 +0800

Аннотация: Монголы в течении своей истории создали и использовали для делопроизводства более 10 различных систем письма, отличавшиеся по происхождению и возникавшие в разное историческое время. Учёные раньше констатировали об использовании монголами в прамонгольский период развития монгольского языка рунический вид письма. Однако, начиная с 2020-ых годов учёные выдвигают гипотезу, что монгольское брахми письменность была одним из видов прамонгольского периода. Письменный памятник обнаруженный в 1970 году на территории Булганского аймака Монголии, именуемый как «Хүйс толгойн бичээс» (Надпись из горы Хуйс) попала в поле зрения учёных и с 2010 года по инициативе турецких учёных была создана совместная исследовательская группа, которая работала над дешифровкой данного письма. В состав которого входила шесть учёных из таких стран как Германии, Франции и Турции. После чего учёные пришли к интересному выводу, что система гласных и согласных фонем идентична с системой прамонгольского языка, что внесла весомый вклад в области исследования истории монгольских письменностей.

Оюутан суралцагчдын ярих чадварыг хөгжүүлэх асуудалд

Баттулга Ч. — Mon, 19 May 2025 00:00:00 +0800

There is a need to thoroughly study the different types of oral speech from the perspective of applied linguistics. In addition, it is advisable to improve students' speaking skills by identifying the types of oral speaking appropriate for the teaching process and incorporating them into the curricula and textbook content. In particular, strategies for teaching public speaking - a skill increasingly required in today's society - as well as formal and informal speaking will be explored, in line with the learning goals and objectives of this subject area.

Монгол, солонгос хэлний “хүрэх/닿다” хэмээх үйл үгийг танин мэдэхүйн түвшинд харьцуулан судлах нь

Болормаа Б. — Mon, 19 May 2025 00:00:00 +0800

According to modern cognitive studies, Mongolian and Korean are both verb-centered languages in terms of typology. These languages typically do not use special words to indicate direction or spatial location; instead, such meanings are usually conveyed through the semantics of the verb itself. When this characteristic is viewed within the framework of complex linguistic structures, the development of metaphorical and extended meanings becomes clearly evident, providing insight into differences in Mongolian and Korean modes of thinking through practical examples.
For example, in Mongolian, the verb “хүрэх” (to reach) is abstracted from its original meaning of physical proximity or contact (to get close to or to touch), and this sense is used metaphorically to express internal feelings or sensations, such as “нойр хүрэх” (sleep reaches—meaning “to feel sleepy”) or “уур хүрэх” (anger reaches—meaning “to feel angry”). On the other hand, in Korean thought, such feelings are perceived as emerging from within and moving outward, and are thus expressed as “졸음이 오다” (sleep comes) or “화가 나다” (anger arises).
Moreover, while in Korean, the verb “닿다” (to reach or touch) is often used to express interpersonal contact or communication, in Mongolian, it is more commonly associated with the expression of sensations and emotional states. This observation highlights a distinct difference in how the two cultures conceptualize perception and emotion linguistically.

Монгол хэлний үйлийн болон өгүүлбэрийн орхилт (“Монголын нууц товчоо”-ны жишээгээр)

Баттогтох Б., Бямбажаргал Д. — Mon, 19 May 2025 00:00:00 +0800

M.A.K.Halliday and Ruqaiya Hasan studied the system of the cohesion, published ‘Cohesion in English’, which included substitution, ellipsis, conjunction, and lexical cohesion. Linguists developed within the framework of Systemic Functional Grammar (SFG) theory, also studied the cohesions of languages and are publishing many more research works. According to the theory, it is necessary to study the cohesion of the Mongolian language, and its meaning in the text. We explained examples of verbal ellipsis and clausal ellipsis in the ‘The Secret History of Mongols’ from the cohesions in Mongolian language.

Монгол хэлний ойролцоо өгүүлбэрийн найруулгын онцлог

Мөнгөнцэцэг Б., Батдорж Ц. — Mon, 19 May 2025 00:00:00 +0800

Synonymous sentences had considered according to the fact and opinion so it will be the content side and they will be considered those events based on the one or events which has similar idea.
It can be considered in sentence level -at the highest level of the word. To emphasis it is according to knowledge identical parallelism is usually connected with the rational words which has abstract meaning and illusive rational words also emphasized the meaning what want to say. Synonymous sentences have been used primarily to deepen their ideas in poetry, continuous words, and novels.
As we can see it appears to be Synonymous sentences in Mongolian language can be cited and also meaning and types of the synonymous sentences simulated so that it made the discourse. Synonymous sentences in Mongolian is used mainly in literature genres such as poems, narratives, drama to express the meaning in depth.

“Монголын Нууц Товчоон”-ы “iloγa” гэх үгийг шинжлэх нь

Мөнгөнцэцэг Урианхажин, Бүрэнбат — Mon, 19 May 2025 00:00:00 +0800

There are three words rooted from “iloγa” in The Secret History of the Mongols, which are “iloγadqu” and “iloγadba” in §174, “ iloγatuju” in §188. Scholars have different interpretations of these three characters, and to date, there is no view that associates the etymological roots of these characters with insect. The “iloγadqu” and “ iloγadba” are interpreted as “infringe”, “fight”, “stir... up”, etc., and “iloγatuju” is generally interpreted as related to the root “ilaγa”. In this article, we consider that the root of the three words is “ iloγa” instead of “ ilaγa”. The “iloγatuju” in §188 is the original meaning of the word “iloγa”, while the “iloγadqu” and “ iloγadba” in §174 are the extended meanings of the word . Furthermore, we consider that the roots of the words such as “ilaγuγsan” “ ilaγuγči” that appeared frequently in ancient Mongolian literature and “ iloγaxu [jɔlɔ:x]” in the Khorchin dialect are also “ iloγa”.
Keywords: The Secret History of the Mongols; iloγa-; transition of vowel i ; Noun-Verb Concurrence

“Алтан хүрдэн мянган хигээст” хожмын түүхэн сурвалжуудад нөлөөлсөн нь

Халиун Л. — Mon, 19 May 2025 00:00:00 +0800

Every nation is based on true facts and the revered historical creations of previous generations. Scholars of various eras have written history in different ways. The first historical works were passed down orally and various written versions emerged. The Mongols have certainly had a tradition of writing their history since the 13th century, with historians in later generations continuing the work of their predecessors.
One such work is Dharma güüsh's Golden Wheel of a Thousand Spokes. This work is considered one of the main foundational texts of Mongolian history and it is noted that sources dating from 1739 onwards have been significantly utilised

БНХАУ дахь монгол хэлний авиа, үе, өргөлтийн зарим асуудлын тухай

Хөхөө Харнууд, Батдорж Ц. — Mon, 19 May 2025 00:00:00 +0800

This article analyzes and discusses the results of an acoustic study on sounds, syllables, stress, and prosody in the Mongolian language in China, specifically focusing on the standard Mongolian pronunciation of the Inner Mongolia Autonomous Region, based on the theory and methods of experimental phonetics. While acknowledging the achievements of previous scholars, the article presents new and improved results. It examines the short vowels in the initial and non-initial syllables of words, the timbre of diphthongs, the length of long and short vowels, the interaction of vowel sounds between syllables, the types of syllables in spoken language, the issue of word stress, and introduces new topics for future research.
Keywords: sounds, syllables, stress, Mongolian language

Зохиогчдын танилцуулга

Mon, 19 May 2025 00:00:00 +0800

Хэвлэн нийтлэлийн шаардлага

Mon, 19 May 2025 00:00:00 +0800

Редакцын зөвлөл

Mon, 19 May 2025 00:00:00 +0800

Гарчиг

Mon, 19 May 2025 00:00:00 +0800

Профессор М.Базаррагчаагийн монгол хэлний гарал судлал, түүхэн бүтээвэр судлалын бүтээлүүдийн тухай (эрдэм шинжилгээний шүүмж)

Ууганбаяр М. — Mon, 19 May 2025 00:00:00 +0800

Аягатай бүжгийн хувьсал: Шашны зан үйлийн бэлгэдлээс нүүдэлчдийн соёлын илэрхийлэл

Nameilin — Mon, 19 May 2025 00:00:00 +0800

Монгол аман болон бичгийн уран зохиол дахь тэнгэрийн зүүдний хүний дүр, өгүүлэмжийн харилцан холбоо

Даваадорж И. — Mon, 19 May 2025 00:00:00 +0800

Oral and written literature exert a reciprocal influence on one another. Characters and motifs from folktales and epics that circulate among communities often shape written literature, while conversely, folktales and legends initially preserved in written form may evolve into oral narratives within communities. A prominent example of this interrelation appears in myths and tales concerning tengeriin dagina and tengeriin züüdnii khün. One notable oral narrative a celestial woman (tengeriin dagina and tengeriin züüdnii khün) who descends from the sky to the human realm, marries a mortal man, and eventually returns to the celestial realm. This character, often referred to as the tengeriin dagina or the tengeriin züüdnii khün, represents a figure of transcendence and liminality between the human and divine worlds.
This study employs a structuralist approach to analyze a myth involving tengeriin züüdnii khün, seeking to illuminate the connections between character, motif, and conflict across myth, folktale, legend, and written literature. The use of the tengeriin züüdnii khün character in oral and written narratives, through motifs of resistance to marriage and family, reveals an archetypal character shaped by these recurring conflicts.
Keywords: a celestial woman, tengeriin züüdnii khün, tengeriin dagina, marriage, conflict, mediator, archetype

Түүхэн сурвалжууд дахь нэгэн домгийн хувилбар, уран сайхны онцлог

Нарантунгалаг Г. — Mon, 19 May 2025 00:00:00 +0800

The basal approach to writing historical sources in the 17th - 18th centuries involved converting historical events into artistic forms while expanding and condensing these events through the lens of the historian’s personal thoughts, opinions, and socio-political situation in which they lived. This article examines and interprets the relationship between the various versions of the legend, contingently referred to as the “Legend of Togoon Taish,” and their artistic characteristics. The legend serves as a reflection of Mongolian’s social and political conditions in during that time, conveying central themes in a profound and artistic manner. It also depicts a recurring pattern of connecting events that shaped the nation’s political and social landscape, alongside the individuals who played key roles in those events, affirming the common characteristics of legends.
Keywors: Historical sources of the 17th - 18th centuries, legends, comparative analysis of legends, Togoon Taish

Богд хаант Монгол Улсын төрийн албан бус бэлгэдлийн уламжлал, шинэчлэл

Нямдорж Д. — Mon, 19 May 2025 00:00:00 +0800

When the state symbolism of the Bogd Khanate of Mongolia was created, a dual state symbolism was adopted, incorporating both Mongolian state symbolism originating from the era of the Hunnu Empire and state symbolism rooted in ancient India.
The specific features of the state symbolism of the Bogd Khanate consisted of elevating the majesty and authority of the absolutist, theocratic Khan, as represented by each symbol, adopting ancient Indian state and religious symbolism, and reflecting international norms. These features collectively asserted Mongolia’s status as an independent sovereign nation.
The state symbols of the Bogd Khanate of Mongolia can be classified into two types by legal status: official and unofficial. The official symbols included the state emblem, the state flag, and the state seal, all enacted in the “Mongolian Legal Rescript Enacted by Decree.” On the other hand, the unofficial symbols included items like the national anthem and the Seven Imperial Treasures, which were utilized despite not being legally enacted.
This paper examines the tradition and modernization of the unofficial state symbolism of the Bogd Khanate of Mongolia. In doing so, it compares and analyzes research on the national anthem and interpretations of the Seven Imperial Treasures to clarify their meanings and symbolism.
Keywords: Pacer mule worth a hundred silver coins, national anthem, seven imperial treasures

Модон цуур урлалын асуудалд

Даваапил П., Баяннамсрай Б. — Mon, 19 May 2025 00:00:00 +0800

Much research has been done on the origin, tonal system, repertoire, and structure of the wooden “Tsuur”. In these works, the method of crafting “Tsuur”, and the materials used are described in detail by the inheritors of wooden “Tsuur”. In the early times, they made “Tsuur” using mainly hollow-stemmed woody plants such as rhubarb, “tsoorgono”, and “balchirgana”, which were common in the area where they lived, but they were easily damaged and fragile. Therefore, they used more hard and monolithic trees, such as cedar, pine, and larch by hollowing them out and gluing them together. After that, they wrapped them with wire, and covered them with animal guts to make them strong. At the same time, the craftsman measured from the bottom of the “Tsuur” with his finger to make three holes in the wooden “Tsuur”, which caused the distance between the “Tsuur” holes to vary.
Also, the length of the “Tsuur” and the diameter of the upper and lower rim holes differ. It is difficult for musicians of “Tsuur” to play in an ensemble, combine with other instruments, and be included in an orchestra’s composition. Because of these reasons, in this article, we have studied the problems faced in wooden “Tsuur” crafts and its tonal system, compared with the different methods of “Tsuur” craftsmen, and put forward our opinions and conclusions.

Монгол ятга ба гоо зүй: Уламжлал ба орчин үеийн уялдаан дахь урлагийн гоо сайхан

Ширчин — Mon, 19 May 2025 00:00:00 +0800

The Mongolian zither is one of the most representative musical instruments of the Mongolian people. It is a traditional instrument and an essential part of Mongolian culture, gradually becoming a highlight in modern artistic culture. This paper explores the aesthetic characteristics of the Mongolian zither and its expression in the fusion of traditional art. By analyzing the historical development of the Mongolian zither, its application in modern art, and its role in global cultural exchanges, this paper aims to reveal the profound aesthetic connotations of zither art and its significant impact on cultural inheritance and innovation. The main focus of this paper is the aesthetic characteristics of the Mongolian zither and the charm it embodies for people.
Keywords: Mongolian zither, aesthetics, traditional art, modern art, cross-cultural exchange, cultural inheritance, musical expression, artistic innovation