Сүр жавхлангийн тухай Кантын ойлголтыг орчин үеийн гоо зүйн онолд холбогдуулан тайлбарлах нь

Abstract

Interpreting Kant's Concept of the Sublime in Connection with Modern Aesthetic Theory

Immanuel Kant is regarded as a prominent philosopher in defining the concept of the aesthetic sublime. The significance of the concept of the sublime in his Critique of the Power of Judgment lies in bridging the gulf between the spheres of nature and freedom. Through two distinct modes, the mathematical and dynamical sublime, Kant reveals how aesthetic experience transcends mere sensory perception. The mathematical sublime allows the imagination to seek the totality of the absolutely great, while the dynamical sublime reminds us of our capacity for practical reason that stands superior to nature. For Kant, sublimity does not reside in the object itself, but in our minds. As a pure aesthetic judgment, the judgment of the sublime is subjective universal, necessary, and grounded in disinterestedness and purposiveness. Although the concept of the sublime significantly influenced German Romanticists, it gradually ceased to be the primary concern of aesthetics. We argue that contemporary aesthetic concepts such as the atomic sublime, the avant-garde sublime, and the technological sublime draw their conceptual lineage from the Kantian understanding of the sublime.